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Tim Sparks


Album songs
Album Intro
Album list

 
 
 
 

【 Sidewalk Blues 】【 2009-02-02 】

Album songs:
1.Mississippi Blues (Provided)

2.Sidewalk Blues (Provided)

3.Oriental Blues (Provided)

4.Potato Head Blues (Provided)

5.In A Mist (Provided)

6.The Alligator Crawl (Provided)

7.How Great Thou Art (Provided)

8.There Ain't No Sweet Man That's Worth The Salt O' My Tears (Provided)

9.The Pearls (Provided)

10.Maple Leaf Rag (Provided)

11.This Great Caravan Keeps On Rolling Along (Provided)

12.Goin' Back To Mississippi Blues (Provided)

13.Carolina Shout (Provided)

14.I'll Fly Away (Provided)

15.Victory Rag (Provided)

16.Jelly Roll Blues (Provided)

17.Amazing Grace (Provided)



Album Intro:

A surprise blues and rag album comes from Tim Sparks. Sidewalk Blues is a collection of country-blues, early jazz, and ragtime classics, all played with Sparks typical virtuoso approach to solo fingerstyle guitar. Having recently explored everything from classical to Balkan to traditional Jewish music, Sidewalk Blues finds Sparks returning to his roots, yet bits of his explorations of other styles shine through in a way that gives each of the arrangements a refreshing touch. --Teja Gerken Acoustic Guitar Magazine

Recorded over the last several years in various locations, Tim Sparks Sidewalk Blues is a fingerpicking homage to early 20th Century American Roots music. Sparks is a guitarist s guitarist, an innovator and student of many styles of music. Among those styles are American roots music, European and Mediterranean folk music, and classical. Sidewalk Blues is a return to Sparks s own roots and the music that initially inspired him. A meticulous arranger and consummate performer, Sparks plows, punctuates, and pulses his way through a well-chosen batch of ragtime, jazz, country blues, and gospel with an individual flair and spirit to burn. One of the nice things about the album is the lack of aural homogeneity. The guitars often sound very different on different tracks, almost as if you re listening to a compilation of incredible guitarists. No doubt this is due to the nature of the way the album was recorded, as mentioned above, but Sparks also utilizes a variety of guitars on the album. About half the tracks were cut on a Podium Custom Collings OM style Country Cutaway. Several tracks were recorded on a 1917 Gibson L-3. Also played were a Hoffman Custom OM Style Cutaway and a Lakewood Custom Concert Cutaway. Simply stated, Sparks is a master of the instrument. His arrangements and performances of Louis Armstrong, Fats Waller, Jelly Roll Morton, and Bix Beiderbecke compositions are flawless, at times playful, and always soulful. As stated in the liner notes, these seventeen tracks evoke the sounds, sights, and smells of New Orleans sportin houses, Harlem speakeasies... and a world of tobacco fields, fire-breathing itinerant preachers, moonshine on Saturday night, and rapturous Gospel singing on Sunday morning. A must have for fans of Tim Sparks and for anyone who loves fingerstyle guitar playing. © Chip O'Brien --The Minor 7th